Paroles de Joaquim par Oscar and the Wolf. So I might But would you like to take on me Make an exception When there's less to remain. Entrez le titre d'une chanson, artiste ou paroles.
(Fernando Ribeiro) From the Classic Collection. New Wilton style with six-hand chronograph function. Stainless steel case with applied Roman markers, tachymeter and calendar feature on black textured dial, domed mineral glass, three-row stainless steel bracelet with double-press deployant closure, and water resistance to 30 meters. We are a Bulova UK authorised dealer Brand new boxed stock with full retail boxes & paperwork 3 year warranty Ja sam cula da ovi Dresaji imau sidu. Hepatitis sigurno! Pazite se od ovih prostitutki sto se druze sa njima, da vas ne zaraze.
Sve su narkomanke, i zarazene krvnim i polnim bolestima! Akira must determine if his new acquaintance Tokio is a friend or foe, while Rockruff evolves into Lycanroc but will not stay in its evolved form or follow any orders. The stunning new collection from Rotary is available for both Ladies and Gents. This is a truly iconic collection that fuses extraordinary design and affordability.
The Clous de Paris dial adds contrasting texture to the intricate hands and distinctive Roman numerals hour markers ensure this timepiece will catch everyone’s attention. Shielded by scratch resistant domed sapphire glass enhances the traditional and vintage aesthetic paired with an ornate decorative crown. Each carefully crafted timepiece is equipped with a reliable quartz movement housed in either 38mm or 30mm polished case. This spectacular timepiece is available with a leather strap or 7-link bracelet catering for personal preference. This Canterbury features a silver clous de paris dial with roman numerals and Breguet hands. It features a 40mm stainless steel case with date functionality, and is waterproof up to 50m.
It is powered by a quartz movement, and has a black leather strap secured with a rotary buckle. We are a Rotary UK authorised dealer Brand new boxed stock with full retail boxes & paperwork 2 Year warranty. Bringing Medal of Honor Heroics to Life Department of Defense BY KATIE LANGE NOV.
13, 2018 This was Netflix’s first partnership with the DOD. We’re glad they decided to aim high for it! You can find the docuseries, aptly titled Medal of Honor, currently streaming on Netflix. The Defense Department often partners with filmmakers to create accurate military portrayals, which is why we recently collaborated with streaming giant Netflix on a big venture: a docuseries celebrating Medal of Honor recipients. Anne and Elaine Huynh, along with their parents Kay and Hoa, spent the past decade searching for any of the Navy sailors that helped rescue them in the South China Sea decades ago. 'America is our heaven on earth. It's as close as it gets,' said Anne.
'They gave us a chance to live heaven on earth and we just want to tell them that.' On October 11, 1981, Dale Joliffe, freshly enlisted in the Navy, was the lone lookout about the U.S.S. Just before dawn, Joliffe remembers seeing something off in the distance. It was the Huynh family, along with 40 others, packed into a small boat adrift at sea. The group was fleeing the communist government of Vietnam years after the fall of Saigon. Rations on board the ship were running low.
'My father said, 'By the grace of God, we're going to do this. If we live we live, if we perish we perish together,' said Anne.
'There were so many ships that actually passed us. Six to be exact.' Then, when it appeared all hope was lost, the U.S.S. Ingersoll came near. A YOUNG woman with a severe nut allergy has been left in tears after a major airline refused to not serve peanuts on her flight to Australia. Sophie Marriott, 28, said she was now terrified about tomorrow’s Cathay Pacific flight to Sydney, with no guarantee she would not be surrounded by other passengers eating the. 2018 has been a year of changes and acceptance for me.
It’s the year I fell in and out of love with a job I wanted dearly, moved back to Bombay after living my American dream, and resigned to the fact that I was having trouble accepting where my life was going. It has also been the year I finally admitted to myself that I’m bi-curious. To elucidate, I’m a cisgender female who has thus far identified as heterosexual, but has, for a couple of years now, realised that I may not be quite so hetero. I like and have dated men, but I like women too, and I’m curious about exploring romantic entanglements with them as well. For most of my life, I’ve only ever known myself to be a straight woman.
It wasn’t until a few years ago that a little thought bubble emerged over my head, reminding me about the countless romantic encounters I’ve imagined with women, the same way I have with men. I gave myself the opportunity to slow down and explore what my sexual identity truly meant to me because it felt like it was constantly in motion. My journey began with exploring demisexuality, and considering whether or not I fell into the purview of the definition. A demisexual is a person who must establish a strong emotional connection with a person before being able to participate in a sexual or romantic relationship with them. Past experiences made me feel like I may be demi. Some even made me feel like I may be asexual!
But as the days went by, one question grew bigger in my head: What about women? Sexuality and gender are fluid and ever-evolving. They grow with you and evolve as your thoughts, ideals, and beliefs evolve. My own experiences followed the same process of evolution. September 2017 was a month of new beginnings: a new job, new apartment, and new friends.
One such friend happened to be more special than I anticipated, and I didn’t realise until much later why that was. M. and I met on the job-we bonded over our shared love for all things theatre, discovered mutual interests in quirkier things like knitting, and grew to care for each other for the weird specimens of the human form that we were. Somewhere along the way, however, my feelings for her grew beyond that of friendship, without me truly noticing them. I didn’t fully understand or accept these feelings until I moved back to India in June this year. A huge change in my physical space meant I was questioning everything in my mental space, including this.
It meant realising that I was-and have been for a while now-sexually attracted to women. It meant realising that my romantic fantasies were linked with women I’ve had crushes on and not noticed. It meant understanding that there’s a big part of me that would like to know what it would be like to be romantic with a woman. Outside of my head. Because in my head there’s a lot more going on, I’ll be honest. I recounted the times I’d be nervous about seeing her. The times when I’d catch myself staring at her and find my interest piqued more than usual.
I remembered the twinge of sadness I’d feel when she’d mention new crushes and happy dates. I thought back to the times we’d hang out at each other’s houses, and how I’d be worried about making the right impression in a private setting, despite the fact that we’d talked about everything and anything endlessly on so many other occasions, that we had no secrets. Guess that wasn’t quite the case with me. All these realisations brought with them their own set of fears. As someone who constantly worries about what everyone else thinks, this became another worry to add to the list.
Will people think I’m just piggybacking onto the LGBTQIA+ community? Will they think I’m doing this just for fun? Is this some new fad I’m trying to associate myself with? IS THIS JUST A PHASE?
It took weeks, if not months, of conversations with my friends and myself to realise my truth. Fact is, no one was and is permitted to question my sexuality besides me. Owning my truth was freeing. I decided to mention my bi-curiosity on my dating profile. While this decision has brought along a good match or two, there was (as is always the case) one little hiccup.
On a recent date with a cisgender man, I was confronted with questions about how I knew if I was bisexual or not. This man, who seemed very open and understanding on text, was anything but in person. He told me he could never understand how someone could like another person of the same gender. He even asked if I was checking out women while on this date with him because my nervous tendencies meant I’d look away while speaking. He brought back all the fears I’d fought to keep at bay about my sexuality. His comments reminded me that I still wasn’t sure if this was a phase or not.
Besides the MANY other terrible points, this man had to make, this one struck a nerve. I had to remind myself that if this was a phase, so be it. Our lives are filled with phases that we either turn into our truth or get over. But that’s our decision to make.
We decide when and how to explore these sentiments. This man also asked me when I’d “decide” if I was bisexual or not. I haven’t really marked a date on the calendar! I’m not sure if this is a phase, or if I am truly bisexual, and I’m okay with that. This little lesson in self-exploration has helped me realise that understanding my sexual identity shouldn’t have to come with a deadline. I am still exploring. I’m swiping on women on dating apps and freaking out about how to start conversations with them.
I’d only ever known to fear how I’d appear to men I was interested in romantically. This is new territory for me, and I’m proceeding in a way that pushes me out of my comfort zone just enough to take the next step. Thus far, I’ve always shied away from doing things that scare me, but owning my sexuality doesn’t scare me anymore. Well, most of the time.name withheld for privacy The post appeared first on.
CHICAGO – A suburban Chicago alderman called Tuesday for prosecutors to investigate the fatal shooting of a black security guard by a white police officer outside the bar where the guard worked. Authorities have said little about the scene that ended early Sunday with the death of 26-year-old Jemel Roberson, who was apparently wearing a hat emblazoned with “security” across the front when he was shot outside Manny’s Blue Room in Robbins, a predominantly black community just south of Chicago. At the time, according to witnesses and a lawsuit, Roberson was attempting to detain a suspect in a separate shooting that wounded several other people at the tavern. “Here is a security guard who is subduing a suspect,” but the officer “just sees a black man with a gun and kills him,” Alderman Keith Price said. Price said he learned from witnesses that there are security cameras inside and outside the bar.
He urged the Cook County State’s Attorney’s Office to launch an investigation. The Illinois State Police declined to comment on their investigation. A spokeswoman for the sheriff’s department, which also is investigating, said she did not know if there were security cameras at the bar.
Another security guard at the tavern said the officer jumped onto the bar and waved an assault rifle before running outside and fatally shooting the guard, an attorney said Tuesday. Kulis, who on Monday filed a civil rights lawsuit against the officer and the community where he works, said the surviving guard told him that the officer pointed a gun at him until he screamed at him that he was a security guard. “That’s when he jumped off the bar, waving the gun, and ran outside the door,” said Kulis, who declined to identify the other security guard. The name of the officer, who is from the community of Midlothian, has not been released either.
In a statement, Midlothian Police Chief Daniel Delaney said only that the officer shot “a subject with a gun.” The officer has been placed on administrative leave, which is standard in such shootings until the investigation is complete, the chief said. Protesters gathered Tuesday outside the Midlothian Police Department, some carrying portraits of Roberson. A memorial of candles took shape nearby. Though shootings of security guards and off-duty police officers by law enforcement are fairly rare, they have happened. In 2009, an off-duty black New York City police officer wearing street clothes and holding his service weapon, was shot and killed by police as he chased a man who had broken into his car. In that same year, undercover officers in Brooklyn responding to a report of a bar fight shot and killed a 43-year-old security guard who, police said, pointed a gun at them. A year earlier, in White Plains, New York, a black off-duty Mount Vernon officer who was holding an assault suspect at gunpoint was fatally shot by a Westchester County officer.
A 73-year-old night watchman at a recycling center was fatally shot by officers in 2012 in Florida after they spotted him carrying a gun when they arrived in response to a call of an intruder. Police later said the man was not wearing anything that identified him as a security guard. And in 2000, an off-duty black police sergeant in Rhode Island was shot and killed by two uniformed colleagues as he tried to break up a fight in a parking lot.
Kulis would not say if he thinks race played a role in Chicago-area shooting, but the fact that the officer is white and Roberson was black has prompted some – including a prominent local African-American newspaper columnist – to question the officer’s thinking. “I believe a police officer showing up at a chaotic scene where a white man has a gun would have at least hollered for him to put the gun down before opening fire,” Chicago Sun-Times columnist Mary Mitchell wrote after the shooting. “But too often, black men are not given the benefit of the doubt.” Kulis said he is trying to gather information about the officer, who he said came to the Midlothian department four years ago from another department and is a member of a SWAT team. Footage from surveillance or body cameras could explain whether Roberson was clearly identifiable as a security guard. Audio could determine what, if anything, was said to the officer before the shooting and whether, as witnesses have told the media, they shouted to the officer before he fired that Roberson was a security guard. Such footage could also help investigators determine what kind of charges should be filed against the man who is suspected of firing a gun inside the bar. The man was one of four people who suffered non-life threatening gunshot wounds.
In his $1 million federal lawsuit, Kulis contends that the officer who shot Roberson violated the man’s 4th Amendment rights against unreasonable searches and seizures. “The use of force is considered a seizure, and he needed probable cause to use force and he did not have that,” he said. The average age for a woman to experience menopause is age 50. However, many women notice symptoms at a much earlier age. How do you know which symptoms are related to menopause? Hotze discusses 8 symptoms of menopause and what you can do about it naturally.
The post appeared first on. Facebook needs to explain themselves to veterans! Combat PTSD Wounded Times and PTSD Patrol Kathie Costos November 13, 2018 Facebook notified me that I should boost a post, and then turned it down. Read what they sent.
Advocates for overseas voters harshly criticized President Donald Trump for arguing that some mail-in ballots shouldn’t be counted as he spread a conspiracy theory about Florida’s elections on Monday. In a tweet on Monday, Trump called for the state to stop counting ballots and stick with the results from Election Night, a move that while circumventing state law would also disenfranchise members of the military and civilians overseas, whose ballots can arrive until Nov. 16 and still be counted. “These overseas and military voters, the worst thing for them is to hear our country’s leaders saying don’t count these votes,” said Susan Dzieduszycka-Suinat, president and CEO of the U.S.
Vote Foundation, a nonprofit that helps overseas voters cast their ballots. “They go to incredible lengths to send their ballots back.” Some states also don’t require that the counting be finished immediately. In Florida, counties had until Saturday to complete their initial tallies. And in California, officials have weeks to count their votes. BTW: Notice this. The long-awaited memorial was a simple V-shaped black-granite wall inscribed with the names of the 57,939 Americans who died in the conflict, arranged in order of death, not rank, as was common in other memorials. The designer of the memorial was Maya Lin, a Yale University architecture student who entered a nationwide competition to create a design for the monument.
Lin, born in Ohio in 1959, was the daughter of Chinese immigrants. Many veterans’ groups were opposed to Lin’s winning design, which lacked a standard memorial’s heroic statues and stirring words. However, a remarkable shift in public opinion occurred in the months after the memorial’s dedication. Veterans and families of the dead walked the black reflective wall, seeking the names of their loved ones killed in the conflict. Once the name was located, visitors often made an etching or left a private offering, from notes and flowers to dog tags and cans of beer.
The Vietnam Veterans Memorial soon became one of the most visited memorials in the nation’s capital. A Smithsonian Institution director called it “a community of feelings, almost a sacred precinct,” and a veteran declared that “it’s the parade we never got.” “The Wall” drew together both those who fought and those who marched against the war and served to promote national healing a decade after the divisive conflict’s end. By Michael Brittan: With Halloween a recent memory, it is perhaps timely to recall a musician who, shortly after her death in 1995, was described as 'the most bewitching woman violinist of this century.'
I refer here, of course, to that eminent violinist of the Golden Age, Erica Morini. Austrian Violinist Erica Morini in the 1920s. Photo courtesy of the George Grantham Bain collection at the Library of Congress. As a brief recap of her career, Erika Morini was born in Vienna in 1904 to a musical family. She was taught initially by her father, but later studied with. She made her orchestral debut with the Berlin Philharmonic and Leipzig Gewandhaus orchestras in 1916, already celebrated as a 'wunderkind.'
Her American debut on January 26th, 1921, was reportedly one of the sensations of that seasons New York musical calendar. In 1938, presumably reflecting the ominous tide of events in Europe, Morini, who was Jewish, had changed the spelling of her name from Erika to Erica. She immigrated to New York at the start of World War II and eventually retired from concertizing in 1976. Apart from such dispassionate biographical details and critiques of her playing, mention has been made of Morinis particular sound, an elusive attribute which has left a personal mark. My violin teacher in 1950s South Africa was Dr.
Bronislav Fryling. A native of Poland, he was an unusual and versatile character violinist, business man, and racing car driver. For his daily driving, he acquired one of the first of the iconic Jaguar 2.4 saloon cars to be imported to South Africa. Since automobiles happened to be another of my passions, we spent many hours tooling around Johannesburg in this car in lieu of studying Flesch and Kreutzer. Fryling had been a professor of violin at the Music Institute in Krakow but was forced to leave Poland in the late 1930s after defending Polish Jews against growing political threats.
He eventually settled in South Africa after spending part of World War II in Kenya. His musical exploits in East Africa during the war make for an extraordinary story, but that is a tale for another time. To make a point during lessons, Fryling would occasionally draw on his personal association with Erica Morini in Europe in his pre-refugee days. Fast forward 60 years. My granddaughter is studying the violin in Denver, Colorado, using the same atavistic collection of instruments that had been handed down to me by my forebears. My granddaughters teacher waxes lyrical about the characteristic Morini sound, apparently sufficiently well-captured on recordings which left an indelible impression on her as a child listening to her fathers records. So, a glimmer of Erica Morinis influence on violin tutelage lives on into the 21st century.
It is perhaps telling that two violin teachers, on two different continents, and two generations apart, would single out aspects of her playing as an aspirational touchstone of violin artistry. As a tidbit to fill in the generational time lapse, in 1963 I had been granted a scholarship to study for a PhD at Yale University. By virtue of this stroke of good fortune, I was handed an opportunity to attend an Erica Morini concert at Yales Woolsey Concert Hall on February 11th, 1964 and to meet her backstage after the performance. Here I was able to triangulate a link with the late Bronislav Fryling. As shown in the accompanying autographed concert program, Morini performed Mozarts A major concerto with the New Haven Symphony.
The performance was made all the more memorable by virtue of the personal violinistic points conveyed from Morinis playing through those instructional moments in faraway South Africa. On this occasion, Morini likely used her cherished 1727 'Davidoff' Stradivari, which had been purchased for her by her father some 40 years previous. In October 1995, the violin was reported missing from Morinis apartment while she was in hospital, aged 91. She died two weeks later, apparently unaware of the theft of her treasured instrument. The violin has not been recovered as of the time of writing, and this case remains one of the FBIs top unsolved art heists. Luthier and cellist Daniel Foster.
Daniel also leaves behind a legacy of violins, violas and cellos created, in Dan's words, to the Glory of God. In his lifetime he made hundreds of instruments. Some of them received awards, and I believe his highest award (for one of his violas) was a VSA Silver Medal for tone. There is a nice video (about 3 min) about Dan working in his shop. The young woman playing Dan's cello in the video is a local student, credited at the end of the video, Miriam Liske-Doorandish, who is now studying the cello at Oberlin - with her Foster cello.
Miriam's mother Lisa Liske-Doorandish is a performing professional cellist who is also my daughter's cello teacher. In the video Dan said that he couldn't imagine what else he'd do in retirement except continue to make instruments. Unfortunately Dan had to close his shop a few years ago because of failing health, but I saw him at recitals from time to time, most recently in September or so.
I can't conclude this brief obituary without recalling a funny story - one that takes on a bittersweet tone now. Several years ago I was looking for a new violin, and I had brought a few home from shops in Richmond and taken temporary possession of a few in the collection of a local pro. I often visited Dan's shop, which was in his home on Harding Avenue in Blacksburg, so I popped in to see if he had a violin that I could add to the mix. Sure enough, he had an instrument that he had made a few years before. I tested it, and it had a beautiful, singing treble voice and an orange varnish (one of Dan's trademarks) that I rather liked. In the end, the violin wasn't quite what I was looking for, so I brought it back to Dan's shop.
I told Dan that I was feeling a little put off by his asking price, not that $18,000 isn't reasonable for a well-made violin. Dan looked at me and grinned, and he said, 'You know, Paul, it'll be worth twice as much after I die.' He will be missed. For over a decade the DOD has been talking about how they are making sure that the troops know what PTSD is and are supported to seek help. Since 2012 an average of 500 a year kill themselves instead of knowing what is making them suffer and getting help to heal it.
The DOD says that most of them were not deployed, yet apparently their programs are not even good enough to prevent the suicides of non-deployed servicemembers. They expected to have us overlook the fact it was not good enough for them, then it would not work on those they sent? There as so many questions we will never get answers for as long as people are willing to settle for slogans instead of standing up for what they need from us!
Over 2 million have been discharged without honor and most should have been helped to heal. Was one of them. He tried to kill himself and ended up with a 'less than honorable discharge. Was one of them and he was shot by police. By 2016, OEF and OIF discharge since 2001. Was one of 2 million discharged from Vietnam and his widow fought for 40 years to clear his name. Stone low bass then a crashing rhythm that just crawls along with acid rock style vocals.
Rise rumbling bass and guitars then the drums come in and make you want to get in your car and just jam on down the road with some screaming guitars. Down In The Valley a crunchy riff that just takes ahold and has you up and grooving. Big River melodic guitars and a solid bass drums combo just close your eyes and trip away. Your God slow guitar with lots of feedback and a slow pounding beat that speeds up as it moves along.
Juju psychedelic acid rock takes you back to the 70s. Black Dog has a very old school Sabbath sound. Beakfoot is a steady metal beat that just works its way thru you with some searing leads.
Never Dance With The Devil Is a slow steady beat with a raspy vocals and rocking just get ready to jam away. Tattooed On My Brain get up and groove to the beat as you sing along to a very catchy song. State Of Emergency a fast beat searing guitar thundering bass and pounding drums just rock n roll. Rubik’s Romance slow and bluesy rock. Pole To Pole has a very catchy guitar riff that is easy to dance and groove to. Push Master blues slide guitar soulful raspy vocals and a steady rhythm. The Secret Is Out get out the air guitars and play along as you sing and tap your feet.
Don’t Throw Your Love Away will have the entire crowd up and moving and grooving. Crazy Molly foot stomping fist pumping bluesy hard rock.
Silent Symphony crunchy guitars a slow steady rhythm and raspy vocals. What Goes Around get up and rock out to one memorable song. Change Master has a very blues country flavor with some emotional playing. You Can Call Me low bass emotional vocals melodic guitars and soft rhythms. Cold Winters Night melodic piano flows around with a classic feel the get up and fist pump as you sing along and rock out to the searing leads emotional vocals and tempo changes. Black Sails is a fist pumping head banging metal song that will have the crowd up and singing along. Leviathan Rising (Death From The Depths Part 1) get out the air guitars and air drums get ready to rumble with some serious metal music.
Invincible (live) rumbling bass pounding drums great vocals excellent keyboards and searing guitars. Pawns Of War classic speed thrash metal to get you up slamming around and sweating.
Burning Bridges get out the air guitars fist in the air and hair flying metal mayhem. Hybris thundering bass pounding drums chugging guitars searing leads and excellent vocals. She-Devil take a trip back to the glory days of speed and thrash metal these guys bring back that style and do it excellently. Purgatory melodic guitar and spoken words.
Follow His Order chainsaw riff thundering rhythms and scorching leads with speed metal vocals. Lust For Power get the fit pumping the foot stomping head banger ready to explode.
Run For Your Life fist in the air hit the pit slam and sweat away. Losing Sanity pounding thrashing thundering metal riffs that just take ahold and won’t let go. Empress a heavy riff pounding drums screaming guitars and thumping bass that catches your attention just get ready to rock. Ledges has a new wave edge but with some rock influences that just drift along.
Sea Of Galilee thumping bass a steady beat melodic guitars and soft drifting vocals just kick back and relax. Diorama is slow melodic and floating along with spoken words. Belly Of The Whale continues the music of the last song as it takes you on a strange mind trip. Profiteer sitting in a smoky bar listening to the band playing while just enjoying the time. Feral As They Were acoustic guitar sounds of birds and melodic keyboards with a catchy riff that just sticks with you.
Return Castaway the music flows all around you and has a Pink Floyd feel. Whitewash just relax and flow with this melodic tune.
Shadows And Seams is slow melodic and very different. The first single, “VITCH”, dropped just in time for All Hallow’s Eve. It’s a heavy psychedelic incantation guaranteed to freak you out. For those paying attention to the lyrics, it serves as a foreboding origin story for their Oil Baron character, succumbing to the black magic of the witch in exchange for earthly riches. Guaranteed to please fans of Pink Floyd, the occult, Nick Cave, march tempos, 2015 film The VVITCH, and marijuana.
Take a listen here and lose your mind, guy.
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